Every Tuesday (6-8pm): Ceramic Studio – Learn hand-building techniques in pottery, figurative sculpture, and glazing with earthenware clay. Create sculptural relief tiles, full 3-D sculpture, functional pottery and tableware, figures, and more. This course uses ancient methods that don’t require a potter’s wheel, including coil construction and slab-construction. Students will learn how to securely join corners and handles, make lids fit properly, and various kinds of surface treatments, textures, and glazes. Fees are $50 for two sessions or $75 for four sessions. Join at any time!
On Exhibit: Brown Foundation Gallery: Britt Thomas Indian Spirit
1878 Gallery & Vault: Amada Miller But then (again)
Galveston Arts Center (GAC) presents two new exhibitions. Britt Thomas’ photography exhibition Indian Spirit documents the Port Neches-Groves Indians high school football traditions and community who keep those traditions alive. Amada Miller’s exhibition But then (again) includes photographic and video work focusing on the celestial bodies that make seasonal appearances near our planet. These exhibitions will remain on view through April 12, 2020.
Amber Eagle’s exhibition Nap Dreams will continue through February 23, 2020 in GAC’s main gallery.
These exhibitions are supported in part by an award from the National Endowment for the Arts and the Texas Commission on the Arts.
About the Exhibitions:
Britt Thomas’ exhibition, Indian Spirit, documents the Port Neches-Groves Indians high school football traditions and the community who keeps those traditions alive. The photographs take an observational approach to PN-G’s unique fusion of Texas football customs and Native American cultural appropriation that has existed in this community since 1925. The title, Indian Spirit, emerges from the name of PN-G’s mascot and reflects the community’s intense commitment to their motto of ‘Honor, Pride, Tradition.”
But then (again) is an exhibition of photographic and video work focusing on the celestial bodies that make seasonal appearances near our planet by San Antonio-based artist Amada Miller. Astronomers and scientists have spent centuries probing these mysterious portents, claiming everything from life-bearing origins to humanity’s destruction. Focusing on comets and meteor showers, the works in this exhibition are comprised of a record made of ice that plays the sound of a comet flying through space (recording acquired by the European Space Agency’s Rosetta Mission) and long exposure photographs of the night sky as the Quadrantids and Ursids meteor showers pass by. These images are recorded and obscured by a handmade glass lens made from tektites, a type of glass that is formed from the heat of a meteor impact.
About GAC: GAC is the organizer of ArtWalk, which takes place every six weeks in downtown Galveston. The ArtWalk brochure, which lists participating venues, hours, information, and map can be downloaded at www.galvestonartscenter.org.
Galveston Arts Center is located at 2127 Strand St. in Downtown Galveston. The galleries are open to the public Tuesday-Saturday, 11am-5pm, and Sunday 12 noon-5pm. Admission is free at all times.
At GAC, Art Club lets creative kids in grades 3-8 (or about ages 9-14) build their skills in drawing, painting, sculpture, printmaking, and more. Instructors focus on expanding students’ experience of art beyond the K-8 curriculum, introducing novel techniques, tools, concepts, and inspiration from the contemporary art world, including GAC’s rotating exhibitions.
The Fall Semester cost is $180 or $150 for members which include 15-week course. The Spring Semester cost is $240 or $200 for GAC members for the 2-week course. Individual classes are available for $20 each – start at any time.
Every Tuesday (4:15-5:45pm): Art Club for Kids is with Jessica Ninci. Every Wednesday (2:30-4pm): Art Club for Homeschooled Kids is with Amber Kaiser.
On Exhibit: Brown Foundation Gallery: Britt Thomas Indian Spirit
1878 Gallery & Vault: Amada Miller But then (again)
Galveston Arts Center (GAC) presents two new exhibitions. Britt Thomas’ photography exhibition Indian Spirit documents the Port Neches-Groves Indians high school football traditions and community who keep those traditions alive. Amada Miller’s exhibition But then (again) includes photographic and video work focusing on the celestial bodies that make seasonal appearances near our planet. These exhibitions will remain on view through April 12, 2020.
Amber Eagle’s exhibition Nap Dreams will continue through February 23, 2020 in GAC’s main gallery.
These exhibitions are supported in part by an award from the National Endowment for the Arts and the Texas Commission on the Arts.
About the Exhibitions:
Britt Thomas’ exhibition, Indian Spirit, documents the Port Neches-Groves Indians high school football traditions and the community who keeps those traditions alive. The photographs take an observational approach to PN-G’s unique fusion of Texas football customs and Native American cultural appropriation that has existed in this community since 1925. The title, Indian Spirit, emerges from the name of PN-G’s mascot and reflects the community’s intense commitment to their motto of ‘Honor, Pride, Tradition.”
But then (again) is an exhibition of photographic and video work focusing on the celestial bodies that make seasonal appearances near our planet by San Antonio-based artist Amada Miller. Astronomers and scientists have spent centuries probing these mysterious portents, claiming everything from life-bearing origins to humanity’s destruction. Focusing on comets and meteor showers, the works in this exhibition are comprised of a record made of ice that plays the sound of a comet flying through space (recording acquired by the European Space Agency’s Rosetta Mission) and long exposure photographs of the night sky as the Quadrantids and Ursids meteor showers pass by. These images are recorded and obscured by a handmade glass lens made from tektites, a type of glass that is formed from the heat of a meteor impact.
About GAC: GAC is the organizer of ArtWalk, which takes place every six weeks in downtown Galveston. The ArtWalk brochure, which lists participating venues, hours, information, and map can be downloaded at www.galvestonartscenter.org.
Galveston Arts Center is located at 2127 Strand St. in Downtown Galveston. The galleries are open to the public Tuesday-Saturday, 11am-5pm, and Sunday 12 noon-5pm. Admission is free at all times.
Friendswood artist Janie O’Farrell is the Galveston Art League’s Featured Artist for March. Her detailed paintings – many of them executed on salvaged building materials – will hang in the league’s gallery, 2117A Postoffice St. in Galveston, from Feb. 27-March 29.
Gallery hours are noon to 6 p.m. Thursdays through Saturdays and 6-9 p.m. during ArtWalk on March 7.
O’Farrell, who holds a bachelor of fine arts degree from Baylor University, taught drawing, painting, printmaking and sculpture at Glassell Junior School for about 20 years. She also has taught outreach classes at various hospitals and senior centers in Houston. Several Friendswood-area schools and restaurants feature murals that she painted.
She likes using acrylic paints to create images on salvaged ceiling tiles, roof tiles and wood. “The most challenging thing to me about painting is when I paint on reclaimed wood or tin is deciding what to paint,” O’Farrell says. “I have to live with the vintage object awhile until I can envision my subject matter.” Her aim is to capture the essence of a landscape or object in her paintings.
O’Farrell sells through the Galveston Art League Gallery and is a professional member of the league. To find out more about the league and its memberships, please visit www.GalvestonArtLeague.com and click on “Join.”
For more events in #galvestontx, go to https://galvestonislandguide.com/calendar/
On Exhibit: Brown Foundation Gallery: Britt Thomas Indian Spirit
1878 Gallery & Vault: Amada Miller But then (again)
Galveston Arts Center (GAC) presents two new exhibitions. Britt Thomas’ photography exhibition Indian Spirit documents the Port Neches-Groves Indians high school football traditions and community who keep those traditions alive. Amada Miller’s exhibition But then (again) includes photographic and video work focusing on the celestial bodies that make seasonal appearances near our planet. These exhibitions will remain on view through April 12, 2020.
Amber Eagle’s exhibition Nap Dreams will continue through February 23, 2020 in GAC’s main gallery.
These exhibitions are supported in part by an award from the National Endowment for the Arts and the Texas Commission on the Arts.
About the Exhibitions:
Britt Thomas’ exhibition, Indian Spirit, documents the Port Neches-Groves Indians high school football traditions and the community who keeps those traditions alive. The photographs take an observational approach to PN-G’s unique fusion of Texas football customs and Native American cultural appropriation that has existed in this community since 1925. The title, Indian Spirit, emerges from the name of PN-G’s mascot and reflects the community’s intense commitment to their motto of ‘Honor, Pride, Tradition.”
But then (again) is an exhibition of photographic and video work focusing on the celestial bodies that make seasonal appearances near our planet by San Antonio-based artist Amada Miller. Astronomers and scientists have spent centuries probing these mysterious portents, claiming everything from life-bearing origins to humanity’s destruction. Focusing on comets and meteor showers, the works in this exhibition are comprised of a record made of ice that plays the sound of a comet flying through space (recording acquired by the European Space Agency’s Rosetta Mission) and long exposure photographs of the night sky as the Quadrantids and Ursids meteor showers pass by. These images are recorded and obscured by a handmade glass lens made from tektites, a type of glass that is formed from the heat of a meteor impact.
About GAC: GAC is the organizer of ArtWalk, which takes place every six weeks in downtown Galveston. The ArtWalk brochure, which lists participating venues, hours, information, and map can be downloaded at www.galvestonartscenter.org.
Galveston Arts Center is located at 2127 Strand St. in Downtown Galveston. The galleries are open to the public Tuesday-Saturday, 11am-5pm, and Sunday 12 noon-5pm. Admission is free at all times.
Friendswood artist Janie O’Farrell is the Galveston Art League’s Featured Artist for March. Her detailed paintings – many of them executed on salvaged building materials – will hang in the league’s gallery, 2117A Postoffice St. in Galveston, from Feb. 27-March 29.
Gallery hours are noon to 6 p.m. Thursdays through Saturdays and 6-9 p.m. during ArtWalk on March 7.
O’Farrell, who holds a bachelor of fine arts degree from Baylor University, taught drawing, painting, printmaking and sculpture at Glassell Junior School for about 20 years. She also has taught outreach classes at various hospitals and senior centers in Houston. Several Friendswood-area schools and restaurants feature murals that she painted.
She likes using acrylic paints to create images on salvaged ceiling tiles, roof tiles and wood. “The most challenging thing to me about painting is when I paint on reclaimed wood or tin is deciding what to paint,” O’Farrell says. “I have to live with the vintage object awhile until I can envision my subject matter.” Her aim is to capture the essence of a landscape or object in her paintings.
O’Farrell sells through the Galveston Art League Gallery and is a professional member of the league. To find out more about the league and its memberships, please visit www.GalvestonArtLeague.com and click on “Join.”
For more events in #galvestontx, go to https://galvestonislandguide.com/calendar/
On Exhibit: Brown Foundation Gallery: Britt Thomas Indian Spirit
1878 Gallery & Vault: Amada Miller But then (again)
Galveston Arts Center (GAC) presents two new exhibitions. Britt Thomas’ photography exhibition Indian Spirit documents the Port Neches-Groves Indians high school football traditions and community who keep those traditions alive. Amada Miller’s exhibition But then (again) includes photographic and video work focusing on the celestial bodies that make seasonal appearances near our planet. These exhibitions will remain on view through April 12, 2020.
Amber Eagle’s exhibition Nap Dreams will continue through February 23, 2020 in GAC’s main gallery.
These exhibitions are supported in part by an award from the National Endowment for the Arts and the Texas Commission on the Arts.
About the Exhibitions:
Britt Thomas’ exhibition, Indian Spirit, documents the Port Neches-Groves Indians high school football traditions and the community who keeps those traditions alive. The photographs take an observational approach to PN-G’s unique fusion of Texas football customs and Native American cultural appropriation that has existed in this community since 1925. The title, Indian Spirit, emerges from the name of PN-G’s mascot and reflects the community’s intense commitment to their motto of ‘Honor, Pride, Tradition.”
But then (again) is an exhibition of photographic and video work focusing on the celestial bodies that make seasonal appearances near our planet by San Antonio-based artist Amada Miller. Astronomers and scientists have spent centuries probing these mysterious portents, claiming everything from life-bearing origins to humanity’s destruction. Focusing on comets and meteor showers, the works in this exhibition are comprised of a record made of ice that plays the sound of a comet flying through space (recording acquired by the European Space Agency’s Rosetta Mission) and long exposure photographs of the night sky as the Quadrantids and Ursids meteor showers pass by. These images are recorded and obscured by a handmade glass lens made from tektites, a type of glass that is formed from the heat of a meteor impact.
About GAC: GAC is the organizer of ArtWalk, which takes place every six weeks in downtown Galveston. The ArtWalk brochure, which lists participating venues, hours, information, and map can be downloaded at www.galvestonartscenter.org.
Galveston Arts Center is located at 2127 Strand St. in Downtown Galveston. The galleries are open to the public Tuesday-Saturday, 11am-5pm, and Sunday 12 noon-5pm. Admission is free at all times.
Friendswood artist Janie O’Farrell is the Galveston Art League’s Featured Artist for March. Her detailed paintings – many of them executed on salvaged building materials – will hang in the league’s gallery, 2117A Postoffice St. in Galveston, from Feb. 27-March 29.
Gallery hours are noon to 6 p.m. Thursdays through Saturdays and 6-9 p.m. during ArtWalk on March 7.
O’Farrell, who holds a bachelor of fine arts degree from Baylor University, taught drawing, painting, printmaking and sculpture at Glassell Junior School for about 20 years. She also has taught outreach classes at various hospitals and senior centers in Houston. Several Friendswood-area schools and restaurants feature murals that she painted.
She likes using acrylic paints to create images on salvaged ceiling tiles, roof tiles and wood. “The most challenging thing to me about painting is when I paint on reclaimed wood or tin is deciding what to paint,” O’Farrell says. “I have to live with the vintage object awhile until I can envision my subject matter.” Her aim is to capture the essence of a landscape or object in her paintings.
O’Farrell sells through the Galveston Art League Gallery and is a professional member of the league. To find out more about the league and its memberships, please visit www.GalvestonArtLeague.com and click on “Join.”
For more events in #galvestontx, go to https://galvestonislandguide.com/calendar/
More Info: Galveston Arts Center
Cost: Free
Contact: (409)763-2403
Link: https://www.galvestonartscenter.org/adam-crosson
Adam Crosson
Haptic Recordings: The Body Eyes
Adam Crosson’s exhibition, Haptic Recordings: The Body Eyes, emerges from the artist’s practice of exploring the Mississippi River and examines the results of intractable relationships with littoral spaces. While produced within the extents of the river’s alluvial plain, the work constellates both from within and beyond this territory—akin to the river’s own supplying tributaries and flows of distribution. Included in the exhibition are video works, along with two kinds of photographic processes. One involves the fabrication of pinhole-type cameras constructed in response to analyzing physical properties of waterways that were once the Mississippi River’s mainstream. The other sources anthropogenic detritus gathered from the river’s banks toward the production of photograms, a photographic process involving the arrangement of objects directly onto light sensitive paper. The work looks to reveal hydrological functions and human incursions over courses of both geologic and human timescales.
“Residing in the ruin or even the construction site triggers affective associations, leading to a crisis of memory as one realizes that everything is always already being lost. The reliance on photography, then, is an effort to capture not that transition, but the experience of being present in the flow of time.”
-Joanna Zylinska, “Nonhuman Photography”
Adam Crosson received his MFA in Sculpture + Extended Media from The University of Texas at Austin where he was a Jack G. Taylor and Virginia R. Allen Presidential Scholar and was awarded the College of Fine Arts Fellowship and the Umlauf Prize. He also holds a Bachelor of Architecture from the Fay Jones School of Architecture. In 2016-17, Crosson was a Core Fellow at the Museum of Fine Arts, Houston. In 2018, he received a Tulane University COR Research Grant, a Monroe Fellowship Grant from the New Orleans Center for the Gulf South, and he was awarded a scholarly retreat. Crosson has been awarded additional fellowships to study at the Royal College of Art, London, and to attend the Vermont Studio Center. He has been included in recent group exhibitions in Berlin at the Humboldt University Nord Branch Library and the Erwin-Schrödinger-Zentrum Science Branch Library, The Ohr-O’Keefe Museum, Biloxi, MS, and The Carrol Gallery at Tulane University. Crosson has organized exhibitions in London, Texas, and Vermont. He is currently Assistant Professor and Sculpture Area Head at Tulane University.
